
The St. Regis Rome
The St. Regis Rome historical timeline
Last updated on October 5, 2026A Belle Époque hotel whose two best objects — a ballroom and a lift — are both dated, attributed and still in use.
Chronology
- Antiquity — the district is the site of the largest Roman bath complex in the world, the Baths of Diocletian. Structural impact: the ground the quarter was later laid out on. What you see today: the reason the hotel's own art commission is about the baths rather than about itself.
- After 1870 — the area is developed as an elegant district for the new elite of the capital of Italy. Structural impact: the broad streets and large plots that a grand hotel needs. What you see today: why a building of this scale stands here at all.
- — the Roman architect Giulio Podesti (1857–1909) designs the ballroom. Structural impact: a 276-square-metre hall with adjoining rooms and, the hotel says, perfect acoustics. What you see today: the Ritz Ballroom, with its original frescoes and marbled walls.
- — César Ritz opens it, as the first public ballroom of Rome. Structural impact: none. What you see today: the hotel's claim to primacy, and the room it rests on.
- The same era — the hotel's lift is designed and built by César Ritz and registered as the thirteenth modern elevator of the period in Rome, known then as a "rising room". Structural impact: a shaft and a car that are still the originals. What you see today: the same shell, re-equipped with current technology and fully operating.
- — Galleria Continua, marking its thirtieth anniversary, opens a permanent exhibition space at the hotel, after earlier collaborations with it. The programme is inaugurated by Loris Cecchini with four site-specific installations, on the occasion of the unveiling of a meticulous full restoration of the hotel. Structural impact: a full restoration of the building. What you see today: contemporary art as a permanent fixture rather than a loan.
Verified against Marriott — The St. Regis Rome, October 2026.